Let the Clapping Begin
Once a year, the President and Congress of the United States gather for one of the most choreographed spectacles in modern political tradition. Every word, inflection and blink are carefully planned and intended to deliver a particular message. This is the first time in his tenure that the President must give his State of the Union speech to a Congress controlled by the Democratic Party.
President Bush began by congratulating Nancy Pelosi on becoming the first female Speaker of the House of Representatives, and was greeted by a roar of applause from the crowd. The much anticipated “surge” was “explained”. Mr. Bush stated that he plans to opt for a more bi-partisan approach to governing for the last quarter of his Presidency – as if he had a choice.
For the television audience, the most irritating aspect of the night is the barrage of applause that accompanies the speech. For comedians, this is the best opportunity to find material, for it is inevitable to avoid a few miscues, even with all the calculations. The President pauses, and waits for the clapping to begin only to realize that he must move on while a few loyal souls begin the late show of appreciation.
A few friends of mine from other countries ask why there is so much clapping. The only answer I have is that American politics is so diplomatic and politically correct within the domestic confines, that our representatives need some opportunity to vent. The British are known for screaming and pounding on their desks in the Hall of Parliament. The Taiwanese are no strangers to physical altercations while the assembly is actually in session. Everybody was Kung Fu fighting. Notice the political correctness ends at our borders.
Apparently this year's installment of the State of the Union was milder than in previous years. The carefully selected cues for the members of Congress to stand up an applaud were fewer in number than any of Bush's State previous speeches.
This year was full of moments to cherish forever. At one point, the President pointed towards and spoke of NBA star Dikembe Motombo, who had sneeked his way next to the First Lady for a well crafted photo opportunity showing the towering center standing beside Laura Bush. Motombo is well known for the charitable work that he has done in his native Congo. The best part of it was that Mr. Motombo, who is well over seven feet tall was also standing next to Secretary of Labor, Elaine Chao, who looked about half his size, if that.
This brings back warm memories of when our President used his annual address to warn us of the dangers posed by steroids in sports. This was prior to his informal testimony in support of Raphael "juiced" Palmeiro.
Perhaps the President will use next year's speech as the appropriate time to talk about the unfinished third season of Chapelle Show.
But two moments, or lack thereof, stuck out in my mind. There was not one mention of Hurricane Katrina and the man-allowed tragedy that followed. The destruction of New Orleans is the defining failure of the American President and of the American people. And not one mention for the ruins of the once great city.
And finally, for those who watched the President walk his way out of the gallery, he was clearly visible signing autographs for members of Congress. As if the night was not already enough of a spectacle. An American tradition. An exercise in dignity. A work in progress.
In related news, the War in Iraq continues, healthcare costs continue to rise, the ice caps are melting, the debt is increasing, China is blowing up Satellites, and New Orleans in still in ruins. Maybe Dikembe can help us out.
Less applause this year. Less to clap about.
More to come...
President Bush began by congratulating Nancy Pelosi on becoming the first female Speaker of the House of Representatives, and was greeted by a roar of applause from the crowd. The much anticipated “surge” was “explained”. Mr. Bush stated that he plans to opt for a more bi-partisan approach to governing for the last quarter of his Presidency – as if he had a choice.
For the television audience, the most irritating aspect of the night is the barrage of applause that accompanies the speech. For comedians, this is the best opportunity to find material, for it is inevitable to avoid a few miscues, even with all the calculations. The President pauses, and waits for the clapping to begin only to realize that he must move on while a few loyal souls begin the late show of appreciation.
A few friends of mine from other countries ask why there is so much clapping. The only answer I have is that American politics is so diplomatic and politically correct within the domestic confines, that our representatives need some opportunity to vent. The British are known for screaming and pounding on their desks in the Hall of Parliament. The Taiwanese are no strangers to physical altercations while the assembly is actually in session. Everybody was Kung Fu fighting. Notice the political correctness ends at our borders.
Apparently this year's installment of the State of the Union was milder than in previous years. The carefully selected cues for the members of Congress to stand up an applaud were fewer in number than any of Bush's State previous speeches.
This year was full of moments to cherish forever. At one point, the President pointed towards and spoke of NBA star Dikembe Motombo, who had sneeked his way next to the First Lady for a well crafted photo opportunity showing the towering center standing beside Laura Bush. Motombo is well known for the charitable work that he has done in his native Congo. The best part of it was that Mr. Motombo, who is well over seven feet tall was also standing next to Secretary of Labor, Elaine Chao, who looked about half his size, if that.
This brings back warm memories of when our President used his annual address to warn us of the dangers posed by steroids in sports. This was prior to his informal testimony in support of Raphael "juiced" Palmeiro.
Perhaps the President will use next year's speech as the appropriate time to talk about the unfinished third season of Chapelle Show.
But two moments, or lack thereof, stuck out in my mind. There was not one mention of Hurricane Katrina and the man-allowed tragedy that followed. The destruction of New Orleans is the defining failure of the American President and of the American people. And not one mention for the ruins of the once great city.
And finally, for those who watched the President walk his way out of the gallery, he was clearly visible signing autographs for members of Congress. As if the night was not already enough of a spectacle. An American tradition. An exercise in dignity. A work in progress.
In related news, the War in Iraq continues, healthcare costs continue to rise, the ice caps are melting, the debt is increasing, China is blowing up Satellites, and New Orleans in still in ruins. Maybe Dikembe can help us out.
Less applause this year. Less to clap about.
More to come...
